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Guitar Fretboard Workbook

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(Musicians Institute Press). Navigate the guitar neck better than ever before with this easy-to-use book! Designed from Musicians Institute core curriculum programs, it covers essential concepts for players of every level, acoustic or electric. A hands-on guide to theory, it will help you learn to build any scale or chord on your own and unleash creativity. No music reading is required. This second edition has been thoroughly updated and includes new music examples.
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Product details
Series: Musicians Institute: Essential Concepts
Paperback: 82 pages
Publisher: Musicians Institute Press; 2 edition (August 1, 2003)
Language: English
ISBN-10: 0634049011
ISBN-13: 978-0634049019
Product Dimensions:
9 x 0.2 x 12 inches
Shipping Weight: 11.2 ounces (View shipping rates and policies)
Average Customer Review:
4.5 out of 5 stars
292 customer reviews
Amazon Best Sellers Rank:
#30,410 in Books (See Top 100 in Books)
The subtitle for this book is "A complete system for understanding the fretboard".This book is focused on understanding the fretboard and excels at making the reader understand getting intimate with the fretboard.I like that this book doesn't pretend to be anything it is not; no promises of cool licks, hot riffs, blazing shredding etc.The book deals with THEORY and does a pretty good job of explaining it well. Like all good instructional treatises, this isn't a book you read in a day or even week or even a month. You use it, bit by bit, come back to old bits again, read new material, go back to old material etc.It's a book you keep handy on your bookshelf, a ready friend when you need one.It's a bit dry, though, be warned. It's not a dummy's guide and doesn't treat you like an idiot. It'll teach you all you need to know how to play lead and rhythm without actually teaching you and licks or riffs. How about that?Overall, it's a good book that I'll be happy to recommend to anyone who wants to understand the guitar fretboard.
I've not yet this book for a year yet and it's literally reinventing me as a guitar player. I don't get nearly the time I'd like to practice/play so I need to make the most of it. I was initially self-taught and then did a private lessons for a few years prior to quitting due to health reasons. A few decades later the itch came back with a furry and I was determined not to squander it. I bought this book based on recommendations and am so glad I found it.The approach of this book assumes you're coming from nothing but motivation and the end looks darn scary to the likes of me, but I've seen nothing but steady forward progress that builds incrementally so that no step forward is too high to reach. The author has done an impeccable job of breaking down a complex subject and made it possible for anyone to learn. Some (most?) of music theory is so old that it often seems arcane and unnecessarily complex (or even wrong from a mathematical PoV). Yet it works and has stood the test of time... a LOT of time, so why fight it? I'm glad to finally be on the road that eliminates all the mystery. I can't imagine a learning approach any more straightforward that what's presented here. It's easy to understand and to skip parts that you might already know.
This is a very thorough book and with some of the best explanations and exercises I have encountered. The guitar itself requires time and effort to play it well. A student needs to know the laytout of the instrument, where the notes are and how they relate to each other. Then they can make sense of their warm-up exercises and scales. Soon chords and melody are not as daunting as they were when the student didn’t know where to go on the fretboard. The fretboard is a lot harder to understand than the piano, for example! I appreciate the 5-pattern approach to explanation over the CAGED method. Too many teachers start students with a song or a chord by saying put your index finger on the second string at the first fret, etc., instead of teaching the notes right away so he/she can say, “put your finger on C on the second string...or on the 5th string, or the 1st string, or 6th string, or the 3rd string...â€. Get my drift? The Guitar Fretboard Workbook is not teaching technique but it will accelerate playing progress through thorough understanding of the guitar. Bravo for a book well structured!
I love this book! I have been playing the guitar for 37 years and never seen a book quite like this one. I have used Mel Bays 1-8 series, Frederick Noad, Hal Leonard, Leavitt Berkeley 1-3, Segovia and many other compilations. This book stands alone as a must have for any guitar player desiring to excel on the fretboard, play lead, tacets, licks, etc. Scales over chords is the basic theme here and the book teaches several methods for viewing the fretboard in different manners not taught by any other method I have seen. The author has you visualize the notes on the fretboard by drawing out relationships such as the 5 shapes method, the half-steps method (E-F & B-C) to name a couple. This is a must have for any serious guitarist!
I'm about 60% through the book and, so far, I think it is great. I think that focusing on the root shapes rather than chord shapes (CAGED system) is a better approach. Once you recognize the major scale patterns and know the root shapes, you can play any scale, anywhere on the fretboard. Pentatonic and minor scales can then be easily derived from within the major scale patterns. The exercises help to instill a solid understanding of the concepts. If you want to understand your guitar better and play up the neck, this is the book for you.
This book is absolutely what I've been looking for. I'm a conceptual guy, and I like explanations, not just instructions. The author says that he figured out that his students who learn the skills in this book do well. By going through the book and taking time on each topic, I feel I'm coming to understand the guitar. Hopefully this will let me feel comfortable and confident and be creative. I'm a beginner, and this is at the right level for me.
OMG I am currently on Chapter 7, and cannot help writing a good review on this book already. After so many guitar classes and $$ wasted and still don't have a complete understanding of the fretboard, this book really helps me understand all the bits of guitar fretboard theory in a systematic way. I am so thankful for the author to write up this book, it has helped me so much and I truly enjoy the `WOAH` moment in every single chapter, it's enlighning and now I have a much clearer goal what I should be working on to improve my understanding on all the notes on the fretboard.
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